A thirteenth chord "collapsed" into one octave results in a dissonant, seemingly secundal[1] tone cluster. Created by Hyacinth (talk) 22:18, 5 July 2009 using Sibelius 5.
CM13, first inversion = e13(♭9), 2nd inversion = G13... Eventually seven chords along a ladder of thirds. Created by Hyacinth (talk) 14:13, 31 March 2010 using Sibelius 5.
Created by Hyacinth (talk) 18:38, 11 December 2011 (UTC) using Sibelius. Pentatonic scale used in Ravel's (1875–1937) Ma mère l'oye (1910) III. Laideronnette, impératrice des pagodes. Source: Benward & Saker (2003). Music: In Theory and Practice, Vol. I, p.37. Seventh Edition. ISBN 978-0-07-294262-0.
Author: Original uploader was Hyacinth at English Wikipedia
*Augmented unison on C = C♯. Equal-tempered: 21/12:1 = 100 cents. MIDI pitch bend: none Note how the diminished unison is essentially equivalent to the augmented unison.
Simplest type of metric modulation in Bach. Slow introduction followed by Allegro, traditionally taken twice as fast. Eighth notes in the new tempo prepared by sixteenth notes in the old tempo ( = ).
Canción popular (Dominio publico): Romanza española. Interpretada por la Maestra Alisa Gladyseva.Popular song (public domain): Spanish Romance. Performed by the Master Alisa Gladyseva.
Author: Composer Unknown. Courtesy of Alias Guitar
Bohlen-Pierce chord: 0,1,2 (semitones), the most dissonant chord. Currently at 0, 169.75, and 310.88 cents. Title refers to number of semitones (unison=0).
Author: Created by Hyacinth (talk) 06:56, 25 November 2010 in Sibelius.
Example of the Locrian diatonic scale. Note the dark, inharmonious sound. The Locrian scale is difficult to work with due to so few harmonic intervals.
Bridge chord, named after en:Frank Bridge. Major chord with a minor chord a semitone above. Chord pictured followed by arpeggio with Db minor at the octave.
*Augmented octave and diminished unison on C = C♯. Equal-tempered: 21/12:1 = 100 cents. MIDI pitch bend: none Note how the diminished unison is essentially equivalent to the augmented unison.